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(Solved) Running head: Romantic Comedy Genre 1 Romantic Comedy Genre A Film Student ENG 225: Introduction to Film Professor Director Circa 600 B. Purpose: Use...

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After reviewing the discussion of genre in Chapter 4 of Film: From Watching to Seeing, demonstrate your understanding of one selected genre using a feature-length film.

Note: Several films are listed in Chapter 4 as emblematic of a specific genre. You are allowed to choose a film or genre not mentioned in Chapter 4, but you are strongly encouraged to email your professor to receive approval before doing so.

In 800 to 1200 words

  • Explain genre theory and, using Chapter 4 of the text as a reference, thoroughly describe the conventions and attributes of your selected genre.
  • Identify a feature-length film that fits this genre and provide a basic summary of the movie. As you develop this summary, remember the differences between a film’s story and a film’s plot and how these differences can lead to the inclusion of genre elements.
  • Interpret at least two genre conventions exhibited in your chosen feature-length film that help classify it in the selected genre. Be sure to provide a specific example of each convention (e.g., a particular scene or plot component).
  • Provide an example of a third convention from your chosen feature-length film and explain how this convention expands the boundaries of the specified genre.

Your paper should be organized around a thesis statement that focuses on how your chosen feature-length film both aligns with and expands upon your chosen genre. Review the Week Two sample paper, which provides an example of a well-developed analysis as well as insight on composition.

The paper must be 800 to 1200 words in length (excluding title and reference pages), and formatted according to APA style as outlined in the Ashford Writing Center.

You must use at least two scholarly sources other than the textbook to support your claims. Refer to the ENG225 Research Guide in the Ashford University Library for guidance and to locate your sources. Cite your sources (including the feature-length film) within the text of your paper and on the reference page. For information regarding APA, including samples and tutorials, visit the Ashford Writing Center.

Please note that if you opt to write about the same film in your Final Film Critique, applicable pieces of this assignment can be used to write that assignment. Please also note that you should reflect on and revise this assignment based on the instructor’s feedback before you incorporate it into the Final Film Critique.

Running head: Romantic Comedy Genre 1 Romantic Comedy Genre
A Film Student
ENG 225: Introduction to Film
Professor Director
Circa 600 B.C.E. Purpose: Use this modeled example of the Week 2 Written Assignment to explore the
elements that make this an exemplary submission. Hover over the number or scroll to the end
of the text to read about what the student has done well in this assignment. Romantic Comedy Genre 2 Romantic Comedy Genre
Genre theory is a way to help one study films, and to classify films into different groups 1 so that viewers have an idea of what they will be watching before they even watch it. Genre is
like a glossary for movies. All films fall under at least one genre and most can be more narrowly
categorized into subgenres. For example, the romantic comedy genre can also overlap with
subgenres like the screwball comedy, teen comedy, or gross-out comedy (Goodykoontz &
Jacobs, 2014, table 4.1). This paper will focus on the romantic comedy genre, specifically the
screwball comedy, Knocked Up, to help movie viewers gain a better perpective on the elements
of this film, the specific conventions of this genre, as well as the how this film expands the
boundaries of romantic comedies. X
In her study of the romantic comedy genre, Katherina Glitre (2006) suggests that, “genre
expectations are based on convention—our mutal understanding that certain things happen in
certain ways in certain kinds of texts. Thus, one of our expectations when watching a romantic
comedy is that the film will end with the union of a couple,” (p. 10). This rings true for the
movie Knocked Up, which stars Seth Rogen as the obnoxious male protagonist, Ben, and
Katherine Heigl as Alison, the uptight, yet put-together female protagonist. Ben is a slob who
smokes marijuana and finds nude scenes in movies indexes them on a website he runs with his
friends. Alison is a beautiful television producer who has her life together and is looking to move
up in her career. When Ben and Alison meet at a nightclub, they end up intoxicated, and spend
the night together. After that night, Alison finds out she is pregnant and she informs Ben. They
both test out a relationship, but decide they are too different, so they split up. Ben ends up getting
his life together and Alison realizes she misses him and cannot raise their baby on her own. In
the end, they come back together before their baby is born. X This movie incorporates elements 2 Romantic Comedy Genre 3 of romance, including raunchy sex scenes, and comedic commentary and funny banter
throughout the film. A hallmark of the romantic comedy genre is pairing two characters who are 3 complete opposites. Knocked Up brings together two people whose lifestyles are at odds, are
joined by the repercussions of their one libidinous night, fall in love, go through a conflict that
leads to a break up, and then eventually they get back together, all while infused with “comedic
obstacles,” (Goodykoontz B., & Jacobs, 2014, Ch. 4, para. 1). X In this way, the film portrays
this genre’s main goal to have a happily ever after ending, whether the protagonists end up
together or not, which they do, while maintaining the light hearted, comedic tone of the film.
Knocked Up joins the conventions of romantic and screwball comedy in its setting,
lighting, and theme. X Set in the present day, in easily relatable circumstances, viewers are able
to connect with the characters. The light in which we see the characters helps us to relate to their
experiences. For example, high key lighting is used throughout the movie to keep in tune with
the lighthearted and funny plot. In the scene where Alison is having breakfast with Ben and her
sister’s family, the lighting is bright to show the happy and overwhelming emotions of the
characters as they process the fact that they are going to have a baby. It also helps set the mood
for the funny commentary between the children and adults. Another convention is the theme,
which helps to classify this in the romantic comedy genre. The theme is “what the movie is
about,” (Goodykoontz & Jacobs, 2014, Ch. 3.3, para. 2). The theme of Knocked Up is how two
opposite people meet under unusual circumstance, come together, overcome obstacles, and,
eventually, fall in love despite their differences. This is the most common recurring theme
throughout all romantic comedies, which helps set expectations of the genre.
In earlier years, romantic comedies often portrayed the good looking, wealthy gentleman
pursuing the immature heiress (Roman Holiday) or the prostitute with a heart of gold (Pretty 4 Romantic Comedy Genre 4 Woman) and did not resort to showing any sex scenes to heighten their romance. Judd Apatow, 5 who wrote and directed Knocked Up, has changed the character dynamic as well as added in
explicit sex scenes that, as David Denby (2007), points out, has broken the “classic patterns of
romantic comedy” (para. 6). X Alison is the ambitious, career woman, who has it all together,
while Ben is the lazy, comical, “schlubby guy” who gets the girl, by getting his life together and
being there for Alison and the baby. (Goodykoontz, & Jacob, 2014. Ch. 4.4, para. 9). The
character roles have been reversed from earlier romantic comedy films. It’s important to note
how Judd Apatow has expanded the screwball comedy subgenre, which incorporates a strong
female character, playful battles, banter between the sexes, and adding in the bromance
(Goodykoontz B., & Jacobs, 2014, Ch.4.2, para. 26). The bromance, which is two buddies who
are very close, is shown when Ben takes a trip to Vegas with Alison’s brother in law to bond
over drugs and alcohol all while discussing their lady troubles. Judd added in the bromance and
drug scenes to help grow with the tastes of the new generation of viewers. X This as well as sex
scenes, has stretched the limits of this genre. It give the viewers a way to relate their own real life
moments to the characters in the movie as well as the consequences that can come from the
choices that they make.
In conclusion, genres are used to help people pick certain elements that they like, such as
comedy and romance, to watch in a movie. Judd Apatow’s movie, Knocked Up (2007), shows
the classic romantic comedy through his use of lighting and theme. He also stretched the
boundaries of this genre to help keep not only romantic comedies alive, but attract male and
female audiences alike through different explicit scenes, the bromance, as well as changing the
lead protagonists’ roles. Knocked Up has taken romance to a whole new level and kept a
humorous tone throughout the entire movie to help portray the screwball comedy that it is. 6 Romantic Comedy Genre 5 References
Denby, David.(2007, July 23). A Fine Romance. The New Yorker. Retrieved from
Glitre, K. (2006). Hollywood Romantic Comedy : States of the Union, 1934-1965. Manchester,
GBR: Manchester University Press. Retrieved from
Goodykoontz, B., & Jacobs, C. P. (2014). Film: From watching to seeing (2nd ed.) [Electronic
version]. Retrieved from 1. In this paragraph, the author clearly states the objective of the romantic comedy genre, identifies its
conventions, and describes how this film meets that objective by using those conventions.
2. Here, the author could better describe the conventions of the screwball comedy and how the film joins those
conventions with the conventions of the romantic comedy.
3. In this paragraph, the author clearly states the objective of the romantic comedy genre, identifies its
conventions, and describes how this film meets that objective by using those conventions.
4. Here, the author could better describe the conventions of the screwball comedy and how the film joins those
conventions with the conventions of the romantic comedy
5. This is an excellent use of an outside source to support the argument that Knocked Up breaks the mold of the
6. This is a strong insight into the changing tastes of audiences and how effective films anticipate, often
presciently, the stories audiences want to see.


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