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(Solved) Answer the following Questions in short paragraph form. 1 a. What are two important innovations in the style of Caravaggio's religious works such as


Answer the following Questions in short paragraph form.

1 a. What are two important innovations in the style of Caravaggio's religious works such as

       "Conversion of St. Paul" (fig. 19-18) ?

  b. How can these innovations be seen as contributing to a more dramatic narrative scene?

  c. To what degree have modern film directors used Caravaggio's techniques for dramatic

       narrative scenes?


2. a. From the lecture presentation, "Water Works: Bernini on Piazza Navona," what was

          Bernini's reputation? and his impact on the city of Rome?

     b. What were some the organizational and logistical aspects of designing this large public

          sculpture?  How were the financial documents useful to the art historians?

     c. How did Bernini maintain control of his unique design with so many assistants involved?

     d. What was the meaning of the imagery of the fountain? Point out the symbolism of the

          travertine base or grotto, the obelisk, and the marble figures?


3. a. What was the impact of trade and new economic opportunities on relationship between

          patrons and artists in the Dutch Republic during the 17th century? 

     b.  Who were the new patrons and where might they buy art? 

     c. Using Pieter Claesz' Vanitas Still Life(fig. 20-1) and Willem Kalf's Still Life with Late Ming

           Ginger Jar (fig. 20-22) as examples, discuss how still-life paintings celebrated both the new

           wealth of the Dutch Republic and the traditional moral values of these new patrons.


4.  Genre scenes or scenes of everyday life became popular subjects in the Baroque period. 

     a. What is the mood of Jan Steen's scene, Feast of St. Nicholas (fig. 20-21)? and how does the

         painter convey the mood?

     b. What is the moral message of the painting?


5. Landscape painting became another popular subject throughout 17th Europe.

   Compare and contrast Annibale Carracci's Flight into Egypt (fig. 19-15) with Jacob van

   Ruisdael's View of Haarlem from the Dunes of Overveen, (fig. 20-18) and in terms of:

   a. the subject of the landscape painting     b. spatial organization: Where is the horizon line?

   and how does each artist organize the space of the foreground, middle ground, background?

    c. how does each artist use light?

 


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